日韩精品久久一区二区三区_亚洲色图p_亚洲综合在线最大成人_国产中出在线观看_日韩免费_亚洲综合在线一区

Global EditionASIA 中文雙語Fran?ais
Culture
Home / Culture / Books

Budding writers turn a new page

By Fang Aiqing | China Daily | Updated: 2019-03-20 07:05
Share
Share - WeChat
Winners of the 2017 Epoch Nonfictional Story Competition. [Photo provided to China Daily]

The individual struggle of self-identity, the parent-child relationship and personal career issues that were not likely to be recognized by traditional media institutions are getting an outlet in the narration of amateur writers.

Li exemplified this trend in changes of China 30s' focus over the past eight years, from the earliest posts in the form of Q&As, to the third-person stories which started to appear around 2014. The majority of these, in Li's opinion, were applying a traditional news writing style and not so appealing to readers.

Finally, in recent years, first-person narration has started to dominate the field, and the organization has turned from merely a content producing platform, to a crowdsourcing aggregator whose nonfiction works are mainly generated by their trainees under the guidance of the editors.

Sometimes it takes a month for the authors and editors to discuss and polish one single article, because those not doing it full time have other commitments and are still learning, according to Li.

China 30s is one of the many nonfiction platforms to hold paid courses for creative writing, which are mainly developed from common practice in traditional newsrooms and focus on the writers' awareness of the readers, critical thinking and their own writing skills.

"It is like breaking the sealed jar of journalism and scooping out the content that will be of most interest to people," the former journalist says.

Instead of digging deep into one single story, Li has created a system for subject exploration and the authors are able to think and write around a same theme from different angles.

The truth counts

Looking back on his submission for last year's competition, Zhao regrets that it was limited to personal experiences rather than framing a larger picture of the story's social background.

This, plus excessive expression of emotions, are common shortcomings in submitted works, Zhao points out.

He cites a story featuring the spread of e-commerce and mobile payment in rural areas. The author failed to detail the difficulties of building power grids and communication networks, so the potency of the story was diminished.

Liu Mengzhi, an associate professor at Shaanxi Normal University, told Hedgehog Commune in an earlier interview that current nonfiction writing is largely influenced by long feature stories written by professional journalists, which often emphasize the complexities of human nature instead of in-depth involvement of historical or social observation.

"Overall, there's a lack of quality nonfiction works," Liu says.

|<< Previous 1 2 3 4 Next   >>|
Most Popular
Top
BACK TO THE TOP
English
Copyright 1995 - . All rights reserved. The content (including but not limited to text, photo, multimedia information, etc) published in this site belongs to China Daily Information Co (CDIC). Without written authorization from CDIC, such content shall not be republished or used in any form. Note: Browsers with 1024*768 or higher resolution are suggested for this site.
License for publishing multimedia online 0108263

Registration Number: 130349
FOLLOW US
主站蜘蛛池模板: 欧美18videosex性欧美群 | 精品国产自在久久 | 国产精品免费一区二区三区都可以 | 妈妈的朋友酷客影响 | 小明看看成人免费视频 | 成人久久18免费观看 | 亚洲精品在 | 乳欲人妻办公室奶水在线电影国产 | 91p在线| 美女久久久久久久久久久 | 欧美狠狠操 | 久久亚洲私人国产精品 | 婷婷久久综合九色综合九七 | 精品久久一区二区 | 韩国精品videosex性韩国 | 久久亚洲精品中文字幕二区 | 青春草在线观看 | 99热欧美 | 欧美自拍视频在线 | 久久精品国产精品亚洲综合 | 操久久久 | 激情网五月天 | 成人性生交A片免费网 | 日本一二三区视频 | 日韩精品久久久久影院 | 欧美成人久久久 | 日韩在线观看视频黄 | 精品国产不卡一区二区三区 | 网红主播vip福利视频 | 杏美月av| 中文二区 | 欧美一级永久免费毛片在线 | 久久秋霞理论电影 | 青草视频在线观看免费资源 | 久久精品国产线看观看亚洲 | 国产亚洲精品久久久久久久网站 | 91精品国产综合久久久蜜臀粉嫩 | 午夜性啪啪A片免费AAA毛片 | 自拍亚洲一区 | 亚洲视频在线观看免费 | 久久亚洲欧美日韩精品专区 |