日韩精品久久一区二区三区_亚洲色图p_亚洲综合在线最大成人_国产中出在线观看_日韩免费_亚洲综合在线一区

Global EditionASIA 中文雙語Fran?ais
Culture
Home / Culture / Art

When the tea bowl met the tea stand

By Zhao Xu in New York | China Daily | Updated: 2019-10-19 12:31
Share
Share - WeChat
The silk tapestry from Yuan Dynasty testifies to Mongol rulers' adoption of Tibetan Buddhism.[Photo provided to China Daily]

Zhang Xiping, a renowned professor at the Beijing Foreign Studies University, whose research covers Chinese philosophies and religions in China, said: "The merging of Buddhism, Confucianism and Taoism became irreversible during the Ming Dynasty in the 14th century. Shying away from answering questions about life and death, Confucianism offers guidance for behaving and self-cultivation but not comfort to the soul. But those questions had to be answered and the soul comforted. That was where Buddhism and Taoism, the latter concerning itself with immortality, came in, together giving rise to Chan, or Zen Buddhism."

"Since they dealt with different realms - this life and the next - these different ways of thinking complement rather than contradict each other. This also explains why in Chinese history, no war has ever been fought in the name of religion," he continued.

This meditative inclusiveness is reflected in art: a large hanging scroll from the early 17th century teems with Buddhist and non-Buddhist immortals, each with power that the artist hoped to invoke.

Right at the center, sitting cross-legged on an open lotus, is Guanyin, the Goddess of Mercy known outside China as Bodhisattva. Guanyin, famously cast as the female disciple of the Buddha in the 16th century Chinese novel Journey to the West, is without doubt the most venerated deity in ancient China, helping women in the fulfillment of their maternal duty, by bringing them an offspring.

In a potent example of what happens when a ruler became a devout Buddhist, Empress Dowager Cisheng of the Ming Dynasty commissioned her own incarnation of the all-compassionate Guanyin, accompanied by a child deity who appears on the lower left side of the painting and who is almost certainly the empress' elder son, Emperor Wanli.

Politics and religion were inextricably intertwined, something of which the exhibition has plenty of proof. A small alcove linked to one of the galleries is occupied on three walls by three hangings, all dedicated to Tibetan Buddhism but belonging to the consecutive periods of China's Yuan, Ming and Qing dynasties (1271-1911).

|<< Previous 1 2 3 4 5 6 7 8 9 10 Next   >>|
Most Popular
Top
BACK TO THE TOP
English
Copyright 1995 - . All rights reserved. The content (including but not limited to text, photo, multimedia information, etc) published in this site belongs to China Daily Information Co (CDIC). Without written authorization from CDIC, such content shall not be republished or used in any form. Note: Browsers with 1024*768 or higher resolution are suggested for this site.
License for publishing multimedia online 0108263

Registration Number: 130349
FOLLOW US
主站蜘蛛池模板: 国产一区二区三区 | 久久精品国产999大香线焦 | 亚洲视频一区二区 | 国产真人做爰视频免费 | 亚洲亚洲人成综合网络 | 日本久久精品免视看国产成人 | 国产乱码精品一区二区三区中文 | 狠狠搞视频| 综合久久99 | 夜夜操狠狠干 | 激情婷婷综合 | 国产免费小视频 | 特级黄一级播放 | 天天操天天爱天天干 | 91视频青娱乐 | 天堂一区 | 天堂一区 | 毛片大全免费看 | 在线观看视频一区二区 | 日韩综合在线 | 亚洲视频天堂 | 91视频网 | 日韩精品视频美在线精品视频 | 国产精品中文在线 | 视频在线亚洲 | 三更饺子1最刺激的一段整集 | 三级网址在线播放 | av资源中文在线 | xxx欧美老熟 | 久久处女视频 | 国产免费一区二区在线看 | 欧美伦理大片 | 久久精品a一级国产免视看成人 | 欧美一区二区在线观看视频 | 国产精品99久久久久久www | 久久亚洲国产精品 | 午夜资源| 国产成人福利视频在线观看 | 在线观看欧美三级 | 一区二区视屏 | 91精品久久久久久久 |