China in the Classics is currently in the limelight at the ongoing "two sessions" in Beijing, considering that top-level legislators and political advisers are holding discussions on using creative techniques to revitalize traditional culture.

The 11-episode China in the Classics－which features one classic Chinese book of ancient times in each episode－h(huán)as received overwhelming praise from viewers. On Douban.com, China's main film and TV critic website, it gained 9 points out of the total 10.

"When we talk about the promotion of traditional culture in a modern context, it is important that it stirs the national spirit and instills creativity," said Tian, who is also a member of the 13th National Committee of the Chinese People's Political Consultative Conference. "You have to be true to the history, and keep the narrative vivid and focused. We want people to understand why they are called classics and how they have been integral in the formation of certain elements in our cultural tradition."

Tian and other directors of the show used Fu Sheng's personal experiences and developed specific storylines from two chapters in Shangshu.

One is about Yu the Great, a legendry ruler who was believed to have lived around 2000 BC. He has been venerated for leading the fight against cataclysm and uniting the nine regions, a prototype of China's territorial division throughout history. The other is about King Wu of the Western Zhou Dynasty, who was instrumental in ending the tyranny of the last ruler of the Shang Dynasty (c.16th-11th century BC) and establishing a central government that focused on people's livelihood and the country's prosperity.

"Through the classics, we can see the foundations of modern China, including the political system and the ideas for governance," said Tian."No matter how the history has evolved, their influence is still intact. The classics remind us not to forget our origins and explain where our cultural confidence comes from."

"China in the Classics reminds us that the ancient Chinese culture is not obscure or antique," Shen Haixiong, head of China Media Group, the parent of China Central Television, said in an article published in Qiushi Journal, the flagship magazine of the Central Committee of Communist Party of China, on Monday.

"Classics are the cultural genes that carry the vitality of the nation," he said."A TV show lets rich history shake hands with modern expressions. It is favored by young people and makes classics 'alive'. Its popularity proves the charm of creativity."