Snakes Circling a Rabbit (1991), a painting by Pan Changwong, within a collection on show at Ansai County Culture Center in Shaanxi province. Provided to China Daily

Still untrusting of his wife, Xu allows himself to be taken by Fahai to his temple in Zhenjiang. Bai and her maid-confidante, or her younger sister as some legends say, who is a green snake spirit, come to the rescue. They use their magic power to whip up a big flood. As Bai is pregnant, her power is limited and fails to save him.

The month after she gives birth, Bai is at her weakest physically and is captured by Fahai and suppressed under the weight of the Leifeng Pagoda. When her son grows up, he comes to pray for his mother and topples the tower, reuniting with her.

The power of love to transcend species lies at the core of this mythical tale, which has countless variations. In all versions I've seen, the white snake is a symbol of purity, and the green snake one of loyalty. The human is weak-willed and the tortoise represents a force against love and compassion.

However, research shows that, at the root of the oral tradition, the snake spirits began as demons of temptation and deceit, and the monk a savior. Over the centuries, this horror story morphed into an ethereal romance, with the good and bad roles reversed.

Maybe, given time, we can celebrate the Year of the Snake with an upbeat interpretation of the animal that incorporates our modern sensibilities. Maybe the snake can at once charm and be charmed. Maybe it can be male in form, a python of Herculean strength and courage

Forget about that. The snake in Chinese incarnations will always remain female. You know what? As spelt out in pinyin, snake is "she". I heard that's the reason the Taiwan girl band S.H.E. was invited to the 2013 New Year's Eve gala on national television.

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